HOMMAGE TO HIERONIMUS BOSCH, 1990, 30 x 42 cm, xerography on paper.  © José Ferreira W.
MON ŒIL (French for: I'm not gonna buy this), 1993, 30 x 42 cm, xerography on paper.  © José Ferreira W.
ME AS A CYCLOP,  1992, 30 x 42 cm, xerography on paper.  © José Ferreira W.
COMMEDIA DELL' ARTE, 1993, 30 x 42 cm, xerography on paper.  © José Ferreira W.
ME AS A BLACK MAN, 1990, 30 x 42 cm, xerography on paper.  © José Ferreira W.
selected works
ME AS A PINOCCHIO, 1990, 30 x 42 cm, xerography on paper.  © José Ferreira W.
HOMMAGE TO FRANCIS BACON, 1990, 30 x 42 cm, xerography on paper.  © José Ferreira W.
ME AS PRINCE CHARLES, 1990, 30 x 42 cm, xerography on paper.  © José Ferreira W.
ME AS CYRANO, 1990, 30 x 42 cm, xerography on paper.  © José Ferreira W.
STUCK IN THE MACHINE, 1990, 30 x 42 cm, xerography on photographic paper.  © José Ferreira W.
as an art of Motion Capture
ME AS DEPARDIEU, 1990, 30 x 42 cm, xerography on paper.  © José Ferreira W.
ME AS MICK JAGGER, 1990, 30 x 42 cm, xerography on paper.  © José Ferreira W.
TWIST & SHOUT, 1990, 30 x 42 cm, xerography on paper.  © José Ferreira W.
JOSE FERREIRA W. WORKING ON A COPIER.  © José Ferreira W.
José Ferreira W. in his Paris Champs-Élysées ''studio'': the CANON showroom, in 1995 (his artworks are displayed on the walls).  © José Ferreira W.
Faces
• By combining the movement of his face with that of the machine's moving scanner, José Ferreira W. obtains facial Morphocopies that have lead him to develop a whole range of expressions and characters -among which a few famous ones (series "me as…")- which relate easily with caricatures & baroque grotesque paintings.
Xerography